Whose batik?

Squabbles between nations these days are not only over matters such as boundary lines, offshore islands with rich natural resources, or air rights space. A new kind of debate springs where countries are claiming a particular cultural heritage as theirs. With ardent passion, signs of such tempers sometimes flare among citizens of both nations and leaders on both (or more) sides have to cool the crowd and defend their interests.

Can you guess which countries are in the whose’ controversy when it comes to batik? Yes, neighbours Indonesia and Malaysia. Both parties have their claims basis as their defence strategies. Shall we briefly listen to their views?

Indonesia: Batik has been long associated with the islands of Java where the batik tradition is rich, continuous, alive and still widely used till today. They claim to be the seat of batik legacy, with a refined tradition from the royal courts to the common folk. The best refined pieces of batik has always been traditionally attributed to the Indonesian region.

They claim that Malaysia has a relatively new tradition of batik borrowed from cousin Indonesia.

Malaysia: The people of Malaysia, like Indonesia have always worn batik as their attire and this is also seen in the batiks worn by the immigrant societies of early Malaya. Malaysia too, has an active batik industry mainly in the states of Kelantan and Terengganu and the capital Kuala Lumpur. Besides, the “Malay World” or the Nusantara region (rantau) has a shared tradition and roots over many cultural traits such as the lingua franca of Malay (called Bahasa Malaysia, Bahasa Indonesia or Bahasa Melayu), similarities in many other aspects such as food, religious beliefs, etc. In modern countries, the former lines of boundaries between ancient kingdoms, human migration patterns, cultural exchange and diaspora always do not share a clear and defined cultural border.

Sibling rivalry over a piece of cloth? If good must come out of this, it is perhaps this: that not any piece of cloth is worth arguing over, we are talking about batik 🙂

We welcome you to post your comments and thoughts in a, yes, diplomatic and politically correct, manner, please.

Batik…exploring its roots

Batik is a beautiful piece of art on fabric. Creatively crafted by using 3 main wax-resist dyeing techniques (we shall next explore these in a separate article), the process of batik creation is an ancient art that is kept alive, relevant and vibrant till today.

We shall explore many facets of batik and touch several areas such as its tradition, the various techniques of creation, modern interpretations, meet various peoples in the industry, learn where to find batik, types of batik, traditional meanings of different kinds of batik, the fabrics used, and much more.

Along the way, we invite you to share and ask of anything regarding batik.

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Old portraits of ladies using batik sarong, Malay ArchipelagoA good place to begin would be the roots of batik. Batik today exists in all continents in the world (except perhaps Antartica?). And according to Wikipedia, it is a very ancient tradition which begin more than a thousand years ago, with evidences from countries such as ancient Egyptian and Sumerian kingdoms. Now, that may come as surprising news, as batik is traditionally and mostly associated with Java in Indonesia. We are not suggesting that batik from Java and in many other places in the world such as African and other Asian countries have a common origin and spread from the same tradition. Rather, we believe that people in different parts of the world have created batik cloths at different periods of time, and some of these are native creations, independent of ancient foreign influences and ideas.

Batik is almost synonymously associated with Indonesia and it comes to no surprise when one encounters traditional batik found there. Its intricate and elaborate designs which are rich in symbolic meanings and the batik diversity there is most interesting, and batik was and still is, so commonly used by the people of all walks of life, the common folk and the royal courts and palaces (kratons) alike. Modern Indonesians pride themselves in batik which has somewhat attained a status of the national clothing of Indonesia. They take great lengths to produce excellent batik till today, and their pride and passion in batik making are some reasons why batik is still very much connected to Indonesia.

Neighbouring countries such as Malaysia, Singapore and Brunei share the same batik tradition as Indonesia. These countries are collectively called the Malay Archipelago and besides sharing a common lingua franca, i.e. the Malay language (or officially known as Bahasa Melayu or Bahasa Indonesia), have much in common culturally though each has its distinctive traits and has evolved differently based on different socio-economic, cultural and political threads.

Batik was worn and is commonly used in the people there, both women and men of various communities and ethnic backgrounds. Although ceremonial usage requires excellent batik, it is also a comfortable and highly practical daily wear. For example, a piece of batik sarong (somewhat a “tube” in today’s fashion sense) has great flexibility for room and growth.This allows the wearer to use it even as their girths expanded (and vice versa, naturally) since all one needs to do is to fold and “wrap” the cloth over ones body and waist. This means there is no typical S, M, L or XL sized cloths are needed since the height is almost always the same yet the width of the cloth can wrapped more or less around the waist. A smart creation, we must say. Easier for people to buy sarongs as long as one likes the piece, and also we can share it with others without concerns of the size and it becomes a piece we could use on and on. In fact, people of old used to use pieces for decades even if their girths had increased along the way!

Batik has come a long way since and is now globally adored and perpetuated. While Jakarta and Kuala Lumpur and other cities, towns and villages in Indonesia, Malaysia and Singapore have continued this tradition, we are seeing new forms of batik everywhere. Fashion cities such as Hong Kong, Milan, London are ever keen to explore batik and greater interests in the art and fabric has reached even Europe and the USA with home-grown talents. This is great news because there are newer ideas, fashions and diversity in batik.

In terms of form and art, batik today has evolved from clothing to haute couture and even new utilitarian objects including curtain drapes, bed set sheets, mobile phone cases, handbags & wallets, table & chair runners, cushion sets, key-chains and many more!

Indeed the batik story is an ancient one in a modern world 🙂

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